Emanuele Becheri, Elia Cantori, Odonchimeg Davaadorj, Trevor Gould, Julia Haumont, Damien Meade, Giusy Pirrotta, Alessandro Roma, Giulio Saverio Rossi, Bu Shi, Danilo Stojanović, Joel-Peter Witkin VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte 05.02.2026 - 28.03.2026
VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

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CAR Gallery is pleased to announce "Faces and Figures: Symbols of Identity in the History of Art" a group exhibition dedicated to the representation of the human face and figure, themes central to art history and still at the heart of contemporary artistic research. From the symbolic iconographies of antiquity to contemporary experimentation, the face and the body have always been key tools for exploring identity, memory, spirituality, and power. The exhibition revisits these themes through works that explore the symbolic dimension of the human figure:the face as mask or revelation, the body as an emotional, political, and narrative territory. In dialogue with one another, the artists represented by CAR Gallery, each with a distinct poetic vision, offer intimate and sometimes enigmatic perspectives capable of evoking archetypes and tensionsof our time. Painting, sculpture, drawing, and installation thus become languages through which the gallery proposes a contemporary reflection on one of the oldest and most universal subjects in art.

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte
VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte
VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Trevor Gould, The long walk, 2025, watercolour on paper, 50,5 x 75 cm (diptych)

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Damien Meade, Untitled (DM2502), 2025, oil on canvas, 35 x 30 cm (left)
Alessandro Roma, Mask, 2023, glazed ceramic and iron, 180 x Ø 58 cm (right)

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Damien Meade, Untitled (DM2502), 2025, oil on canvas, 35 x 30 cm

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte
VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Emanuele Becheri, To Paul Gauguin 15.11.2024, terracotta, oxides, 32 x 16 x 7 cm

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Joel-Peter Witkin, History of the White World, Venus and the Magdalen, 1994, silver gelatin print, 40 x 50 cm

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte
VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Danilo Stojanović, Contort V, 2026, oil on linen, 22 x 16 cm

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Julia Haumont
Untitled (sculpture n. 37), 2024, luster glazed ceramic, 42 x 37 x 70 cm (left)
Untitled (sculpture n. 28), 2023, luster glazed ceramic, 50 x 50 x 63 cm (right)

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Odonchimeg Davaadorj, One tree, Many souls, 2025, watercolor on paper, 90 x 65 cm

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Bu Shi
La testa dell’arhat, 2024, tempera on wooden panel, 22 x 16,5 cm (left)
La casa della pioggia, 2025, tempera on wooden panel, 20 x 15 cm (right)

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Giulio Saverio Rossi, Quando gli uomini erano alberi #1, 2025, oil on linen, 80 x 63 cm (left)
Giusy Pirrotta, Testa Fasciata, 2025, glazed ceramic, 30 x 25 x 25 cm (right)

VOLTI E FIGURE. Simboli dell’identità nella storia dell’arte

Elia Cantori, Untitled (pencil-hole self-portrait), 2026, photogram, gelatin silver print, 30,5 x 40,6 cm - unique piece